In the days of film cameras, the ISO body would rate film's sensitivity to light, giving it a speed and ASA rating. Taking care of colour casts, in this case, can be done using Photoshops Color Balance tool to alter the image so that its grey tones appear natural. The rest is done with your development lab. Specifically, as Ive already mentioned, I found myself particularly impressed with the level of grain, and thatdespite the lower resolution and contrast of the lens, I could also see that the film was pretty sharp too. CineStill 800T is a great alternative to the few options we have. ISO in Photography: what it is and when to use your higher settings I used the reference to create matching colours with adjustments via. Technically, an ISO 800 film would be the safer choice. This can make for an interesting effect or appear undesirable. Rain - ISO 800. Earlier or later in the day, you may need to start shooting at ISO 400+. that ensured no unexpected automatic colour adjustments on top of the scanner data. And the opposite is true as well. "Its price is low enough to justify picking up a few more." Best Waterproof: Fujifilm QuickSnap Waterproof Camera at Amazon. The main advantage with high ISO film compared with digital sensors is that film is not sensitive to Infrared pollution as silicon based sensors. It single-handedly converts your emulsion to daylight-balanced stock. Which prompted me to ask "Well, if that's intended for really low light, is it AT ALL usable outdoors or will I run into problems with overexposure even attempting to use it?". It's easy to use, produces a classic black and white image with well-balanced contrast, and you have the flexibility to shoot at box speed or pushed from 1 to 3 stops. Browse other questions tagged, Start here for a quick overview of the site, Detailed answers to any questions you might have, Discuss the workings and policies of this site. 400-speed films also have the highest dynamic range and tonality on the market because they use a mix of large and small grains that make them much more versatile. Unfortunately, what you heard, was off the back of a very poorly conceived April 1st joke-post over on phoblographer.Its not being discontinued, [] other films do you like using? Thanks, Hamish, for another thoughtful column about another film type. If lucky, your scene will have elements that you know should appear white, grey, or black. Learn more about Stack Overflow the company, and our products. They are very nice but those night shots are amazing. Best Overall: Kodak Funsaver Disposable Camera ISO-800 at Amazon. When you are unable or unwilling to close your aperture too much (due to desired depth of field and/or diffraction worries) you have to resort to ND filters to make exposure work. I say that as someone whos just committed to shooting only P3200 and Ektachrome E100 for at least 6 months in a bid to learn these two returned-to-market films from Kodak properly. All our Contributors have an ad-free experience for life.Sign uphere. Colour saturation was spot on, minimal grain, stacks of sharpness. Despite this, and because by this time my scanning and post-process skills had improved, I still got some really nice scans. window.__mirage2 = {petok:"k4RWgDbFvbNk8qz6zetNO.HksqXvh2SvW1GnJRb5vTw-1800-0"}; I recently deliberated the above arguement before settling on buying my first roll of Portra 800 and taking on a trip to HK.I found Emulsives article below incredibly helpful in helping me make up my mind:https://emulsive.org/reviews/blind-film-review-01-fuji-natura-1600-vs-kodak-portra-800-vs-lomography-color-negative-800-35mm. Id be interested to do that comparison in my workflow too. Medium speed film should generally not be used with fast motion photography such as sporting events, indoors without much lighting, or in extremely bright lighting. And the Tri-X 400 single-use camera is one of the best you can buy. This remarkable emulsion is always in high demand, and its not just the hype: this film delivers for both perfectionists and experimental photographers. shooting film is almost a Zen approach to photography. Most colour film sold is daylight-balanced which means that itll render a piece of paper white under the sunlight (5500K). Said by whom? Its shots like this that make me wonder why some people are so obsessed with pushing film these days. I also found the results out of the Noritsu to be quite impacted by the slight yellowish-orange cast this scanner is quite well known for. Planned Maintenance scheduled March 2nd, 2023 at 01:00 AM UTC (March 1st, We've added a "Necessary cookies only" option to the cookie consent popup. With a 400 ISO film, you could take hand-held pictures at 1/8th@f/2.8 free hand. If you shoot 200 ISO film at 400 ISO, then photos will be overexposed by . I generally shoot with natural light outdoors with low ISO film. I can also shoot it at night - but it does mean that at night, I'm going to need a tripod and some long shutter speeds. Some of our partners may process your data as a part of their legitimate business interest without asking for consent. Personally, I absolutely love the look of Pan F+, a 50 ISO film. Push - An overcast day or the sun is going down. A bit underexposed, true, but amazing. Read Kodak Portra 800 A Review []. This exposes you to both motion blur and imprecise focusing, as focusing at night, with whatever camera . Another is to shoot the film at 400-500 ISO. The first will be bigger problem with small format (you enlarge more, but 1/2000 and faster speeds are common) and the second with medium format (many MF cameras are limited to 1/500 sec). . Also make it easy on yourself by using a fast lens like a 50mm 1.8 or 28mm f2 or 2.8. - Or will it always balance out when you're using the right settings anyway? Taking care of colour casts, in this case, can be done using. August 1, 2022 by Jodi Carville. This created predictable consistency in the scans. Very timely review as Ive just shot my first rolls of Portra 800 in 120 on my Mamiya 6 looking forwards to seeing the results! As Ive mentioned a few times throughout this post, its also incredibly versatile. Your donations via Buy Me A Coffee and your purchases from our shop are very much appreciated. Not good or bad, but less, so if I want to print at 900mm on the short edge the grain is nice, whereas 400 is getting a bit chunky at that size. Most film has the latitude to handle a few stops of overexposure. Obviously grain is not ideal but it is also not my primary concern, at least at this point in my analog journey. Enter your email address to subscribe to this blog and receive notifications of new posts by email. On a sunny day, you will hardly be "forced" to configure shutter and aperture in a way which would require such high ISO, but if you have a, say, slow kit lens and the sky suddenly turns a bit cloudy, it's useful to have that option. sells out quickly wherever I shop making hunting it down an adventure each time. Want more tips on Cinestill and film photography? In daytime, you should therefore aim for an ISO in the range of ISO 100 - 200. . Perhaps more faded blacks or some such thing? Or for when subject is moving at speed (will cut down on blur). Read moreabout our affiliate disclaimer. An artificial light scene, taken on daylight-balanced Lomochrome Metropolis film. Your photos make me think this is the best of all the Portra stocks such great colours! One way CineStill recommends is using a 85 or 81 filter for daylight images with this stock. Even knowing what I knew, it felt slightly unnatural using this film for sunny-day landscapes type shots. Kodak TRI-X 400 - shot at EI 3200. Though I do think that even if I did, it shows whats possible with this film in these sorts of shooting circumstances. Compact film camera to handle high iso sensitivity. What's the difference between a power rail and a signal line? Its fine grain, high contrast. What film should I use for black and white outdoor 'formal' shots? CAMERA; if youre shooting one of those cheapish P&S that only reads 100 & 400 then Portra 400 is king. In open shade you will be fine. I scanned the test roll with PrimeFilm XAs using the digital negative technique that ensured no unexpected automatic colour adjustments on top of the scanner data. Shooting film on a sunny day? I typically prefer results taken with the filter, but its not difficult to imagine that certain photographs. Does that mean you'd basically be turning it back down to an equivalent of about 100? Depending on your camera you might run into shutter speed problems. And the pub and night street scene shots were also quite stunning.My memories of shooting high-speed color film (800, 1000, 1600), whether negative or slide, were of not too wonderful colors and intrusive grain, so all I can say is much has improved since the mid- 80s Those memories had predisposed me to using either high-speed B/W or digital for low-light, hand-held shooting, so it was really enlightening to see your results in such shooting with the Portra-800.And, of course, you have notched me further along in the direction of finding a Hexar RF in prime condition For now, some Portra 800 on order, in both 35mm and 120!Cheers,Steve, Im trying to resist breaking my self imposed rule and buy some 120. Its finicky but not too finicky but you do need to think about exposure more than the others. In this video, I test Cinestill 800T for the first time in three different enviroments. For example, a compact point and shoot with a maximum aperture of f/16 and shutter speed of 1/500 won't be able to expose 1600 film properly in bright sunshine (roughly two stops over if you use Sunny 16). They stock Portra 800 here, but also supply something like 200 other films making the website interesting to explore as well as purchase from. If you dont have an 85C warming filter, you may be able to colour correct your CineStill 800T frames shot in daylight that appear to have an undesired blue/teal overcast. ISO for daylight. Neon lights are very easy to shoot. - It's pretty much exactly like you described, a maximum of 1/1000 and f22. The basic rule of thumb states that if you have a clear, sunny day and your aperture is at f/16, whatever ISO you are using, your shutter speed will be the reciprocal value of that ISO value (ISO X = 1/X seconds shutter speed) So for . Is there a more recent similar source? and our Thanks. The best answers are voted up and rise to the top, Not the answer you're looking for? When I mentioned this on social media somewhere, someone commented that I shouldnt rule out Portra 800. New comments cannot be posted and votes cannot be cast. Photography light calculator. With the knowledge that I could get the sort of low-grain, high-sharpness results out of Portra 800 with a good quality lens, I soon decided to pair it with the frankly awesome Zeiss 35mm f/1.4 ZM and some landscape shooting in Wales. The Sunny 16 Method I am old school and just curious about the settings on Film camera. I'm not calling ISO 400 useless indoors, but they generally say that anything below that is a no-no for indoors or low light. Its my favourite at least, Portra 400 is well known to be a film that allows for significant levels of overexposure and it still be quite correctable. It . if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-leader-4','ezslot_18',192,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-leader-4-0'); At the beginning of this post I mentioned that Ive recently committed to only shooting Kodak Ektachrome E100 and P3200 for at least 6 months to learn how to get the best out of those films. The results proved conclusively to me that those sorts of feelings were ill-founded. Notify me of follow-up comments by email. Does With(NoLock) help with query performance? This number depends on the amount of light present in a scene, either natural light (sun/moon) or artificial (strobe/lamp). I can already tell it would be too sensitive for that. Number of Exposures: 27. Photography Stack Exchange is a question and answer site for professional, enthusiast and amateur photographers. It is measured in degrees Kelvin which is the temperature a perfectly black object needs to be heated to in order to glow a certain colour. Id have used Portra 800 instead! If you're careful with your metering, you can still get fine . Clear daylight, outdoor shades, well-lit indoors, is what I'm aiming for. Both of these options can be a little problematic. ISO is your camera's sensitivity to light as it pertains to either film or a digital sensor. With very little work in post in fact just enough to get rid of the scanners tendency to a yellowish-orange cast I got results that were bang on how I like my colour film images to look. Well, thats enough encouragement for me ;-), I will write something about my experience with it then. Combine this versatility and the aforementioned compatibility with my workflow and my personal tastes and what Ive found in Kodak Portra 800 feels to me like it could well be my perfect colour negative film. Any concerns I might have had about grain went straight out of the window when looking at the first results. Heavy overcast or about to rain - ISO 400. And if you shoot it in daylight, a sunny day is 5400k and shade is 6500-7000k, meaning that shooting tungsten film in daylight will give you completely blue photos. But most of the time, photography isn't just about recording an image -- the goal is to record the best image you can. Shoot a 100-speed film and gain two extra stops (+2) by shooting at ISO 400 and develop it at ISO 400. Boasted to be the world's sharpest and finest grain color film! This is simply done by setting your metering to act as if its 1-2 stops higher than the 800 speed. For CineStill 800T, the company gave us ISO 800 film that is Tungsten balanced-which means that it's best used with a flash or daylight. Yes, of course. consider also using a ND filter with very high ISO film in sunny conditions. Middle: inverted & equalized scan W/O any adjustments. Cinestill 800T photos are synonymous with the nighttime, and wed expect nothing less! Torsion-free virtually free-by-cyclic groups. The trade-off though is that your results from a higher ISO film will typically be less clean and have more grain. Shooting on cloudy days lowers the intensity of the light. Unfortunately, I did get a little merry, so cant remember exactly the exposure index at which I shot these, though they were at least 1 if not 2 stops underexposed, and more significantly I didnt push process the film. If you want the other benefits of 800T without losing warm, golden tones you find in daylight, try one of these filters out! And also, like I said, I come across films that I like the look of, but then happen to be of a high ISO with no slower versions. [CDATA[ Raising the exposure in post-production will ruin the look of the grain. Rather, I would shoot an entire day on film, and actually enjoy my dinner at night and sleep early. However, I still prefer the precise, granular control and the interface of the Color Balance tool. It's intended for a more all-round use between somewhat darker and lighter scenes, but I needed to know that at what point such high ISO would be t sensitive (in case the sun comes out when outdoors). So I don't know if that's still problematic. Raising the exposure a small amount is usually okay, but if you are photographing with a high ISO, you need to be even more diligent than usual about exposing your images correctly in-camera. Ive shot a number of rolls of Portra 800, but they have all been 35mm, all processed the same way by AG Photo Lab, then scanned with my Noritsu LS1100 and post-processed in Lightroom by me, to my eye. Develop and scan on 16K HDR lasergraphic will be cheap per frame. These next shots were taken at EI200, and though this seemed to emphasise a yellowish-shift in the scans, it was nothing I couldnt post-process out with relative ease. In this case, pulling Delta 3200 to ISO 400 or 800 will give you . My remark of "there's nothing from keeping me" is to deter answers like "There's no wrong answer, get creative. When the ISO setting is low, the sensor is less responsive to light, so, therefore, it requires more light to create a well-exposed photograph. CineStill 800T shot on Vitessa A. It sounds like I need to keep one handy for exactly this kind of situation. Another is to shoot the film at 400-500 ISO. Kodak Tri-X 400. Kodak Portra 800 is quite possibly my favourite colour negative film. In most cases, a 400-speed film will allow you to get perfect exposures without a tripod. If I am shooting outdoors in daylight and my Digital camera reads ISO 100, Shutter speed 1/125 and F11 Can I set my film camera to the same settings instead of buying a Meter. Now I'm just trying to select types of film I like the look of to try in some cameras I have, in this case specifically for a balanced general purpose (let's say a mix of outdoors and sometimes in a shade or well-lit room). I shoota lot of couples/intimatescenes so this is one of [], [] C200, a great general purpose colour film, and the other loaded with either Kodak Ektar 100 or Kodak Portra 800, depending on what I am planning to shoot. Last but not least, dont miss our full round-up on Cinestill 800T sample photos for more inspo. Thus, we have found 800 to be right in the middle of the ideal Exposure Index range. In reality, I cant think of a single image Ive taken with this film that Ive even negatively contemplated the grain in the final image. Bright conditions like shooting outdoors on a sunny day benefit from lower values. //